Hilde Wallem Nielssen

Professor, interkulturelle studier

NLA Høgskolen Bergen

55 54 07 00
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Oppdater arbeidsfelt

Visual anthropology (photography), critical museology (museum exhibitions)
Photography and S&aacute;mi cultural heritage, indigenous studies
<span style="display: inline !important; float: none; background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Colonialism, postcolonialism, decolonisation 
<span style="display: inline !important; float: none; background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Problems of representation<br style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;" /><br style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;" />Rituals and cosmology, religion and politics with focus on Madagascar, religious movements in a local and transnational perspective 
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FoU og publikasjoner: Oppdater publikasjoner My ongoing research may be situated within the field of visual anthropology, indigenous studies, and critical museology, and involves studies of photography related to Sápmi and museums. Together with professor Sigrid Lien at University of Bergen I am currently writing a monography with the work title Camera Reflections: Encountering Sámi Peoples in European Archives and Museums.  <h3 class="MsoListParagraph" style="text-indent: -18pt; line-height: normal; margin: 0cm 0cm 0cm 21.8pt; text-align: left;"><span style="font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 7pt; line-height: normal; font-family: 'Times New Roman'; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">Publications </h3> Sigrid Lien & Hilde Wallem Nielssen: Negotiating research. Studying Sámi Photographs as Norwegian Outsiders, in Laura Junka-Aikio, Jukka Nyyssönen, Veli-Pekka Lehtola (eds.) Sámi Research in Transition. Knowledge, Politics and Social Change. London: Routledge, 2021.  Sigrid Lien & Hilde Wallem Nielssen (eds.): Adjusting the Lens: Indigenous Activism, Colonial Legacies, and Photographic Heritage. Vancouver: University of British Colombia Press, 2021 <span style="font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">Sigrid Lien & Hilde Wallem Nielssen: ‘Undertrykkelsen har vært motbydelig for meg’. Samisk familiefotografi i brytningen mellom fornorskning og aktivisme. Kunst og Kultur, 104 (1): 41-56, 2021. <a name="_Hlk38809987"></a>Sigrid Lien & Hilde Wallem Nielssen: ‘Permanent Displays’ as Unsettling Layers of Epistemologies, Politics and Aesthetics, i Museum & Society 17(3): 439–457, 2019. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;"> <span lang="EN-US" style="font-size: 10.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">Hilde Wallem Nielssen: Visualizing Invisibility: Photography and Physical Anthropology in Norway, i Journal of Aesthetics and Culture. <span style="font-size: 10.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">10(4), <span lang="EN-US" style="font-size: 10.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">1–12, 2018 <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Sigrid Lien & Hilde Wallem Nielssen: Museumsforteljingar: Vi og dei andre i kulturhistoriske museum., Oslo: Det Norske Samlaget, 2016 <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Sigrid Lien & Hilde Nielssen: Museet som sted for alternative historiefortellinger (The Museum as Site for the Narration of Alternative Histories). I: Sámiid Vuorká-Dávvirat 40 Jagi/ De Samiske Samlinger 40 år 1972-2013. Karasjok: RiddoDuottarMuseat, 2014  <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen: Norge over alle grenser. Paviljongen «Det utflyttede Norge» ved Jubileumsutstillingen 1914, i Kunst og kultur 3/2014. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen & Karina Hestad Skeie, Madagascar, entry in Worldmark Encyclopedia of Religious Practices, 2nd edition, Missoula, Montana: Thomas Riggs & Co, 2014 <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen & Karina Hestad Skeie: Christian Revivalism and Political Imagination in Madagascar, in Journal of Religion in Africa, 44(2), 2014. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen: Photography and the Crisis of Ethnographic Display, in E. Edwards & S. Lien (red.) Uncertain Images: Museums and the Work of Photographs. Ashgate, 2014. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen & Sigrid Lien: Absence and Presence: The Work of Photographs in the Sámi Museum, RiddoDuottarMuseat-Sámiid Vuorká-Dávvirat (RDM-SVD) in Karasjok, Norway, Photography & Culture, 5 (3), 2012. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen & Sigrid Lien "Conventional Ethnographic Display or Subversive Aesthetics? Historical Narratives of the Sámi National Museum in Norway", open access conference publication, Linköping University Press, 2012 <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen Ritual Imagination. Tromba possession among the Betsimisaraka of Eastern Madagascar. Brill Academic Publications, 2011. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen, Inger Marie Okkenhaug & Karina Hestad Skeie (eds.) Unto the Ends of the World. Protestant Missions - Local Encounters in the Nineteenth and Twentieth Century.  Brill Academic Publications, 2011. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hilde Nielssen, Inger Marie Okkenhaug & Karina Hestad Skeie:"Introduction". In Unto the Ends of the World. Brill Academic Publications, 2011. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;"><span lang="EN-US" style="line-height: 115%; font-family: 'Times New Roman',serif; font-size: 9pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi; mso-bidi-language: AR-SA;">Hilde Nielssen: James Sibree and Lars Dahle: Norwegian and British missionary ethnography as a transnational and national activity." In Nielssen, Hilde, Inger Marie Okkenhaug & Karina Hestad Skeie (eds.): Unto the Ends of the World. Brill Academic Publications, 2011.  Hilde Nielssen: Til Jordens Ender. Om hvordan verden ble brakt til Norge og omvendt på etnografiske stillinger i misjonsregi. Norsk antropologisk tidsskrift, 18(3-4): 196–216, 2007. <span style="font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">Hilde Nielssen: From Norway to the Ends of the World: Missionary Contributions to Norwegian Images of ‘Self’ and ‘Other’. In: Encountering Foreign Worlds – Experiences at Home and Abroad. Reykjavik: University of Iceland Press 2007.  <span style="font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">Hilde Nielssen: Ritualer og historisk bevissthet: tromba-kulten på Madagaskar. Norsk antropologisk tidsskrift <span style="font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">10(2): 97–110, 1999. <span style="font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"> <h3 class="MsoListParagraphCxSpFirst" style="mso-add-space: auto; text-indent: -14.2pt; line-height: normal; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 21.3pt;">Shorter and popular texts </h3> <h3 class="MsoListParagraphCxSpFirst" style="mso-add-space: auto; text-indent: -14.2pt; line-height: normal; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 21.3pt;"> </h3> Sigrid Lien & Hilde Wallem Nielssen: «Bilder fra glemselens dyp». Essay om Terje Abusdals utstilling «The Darkness and Deep» på Gjenreisningsmuseet i Hammerfest som tematiserer glemt og fortrengt sjøsamisk identitet, kultur og historie. Klassekampen 23. februar 2021. Sigrid Lien & Hilde Wallem Nielssen: «Det som står på spill». Essay om Per Addes utstilling Per Adde: Liv og virke, Kunstgarasjen, Bergen, august-september 2019. <a name="_Hlk66531674"></a>Klassekampen 29. august 2019. Sigrid Lien & Hilde Wallem Nielssen: Ovtta sekundda dáhpáhus: Sápmi 1970-logus, darvehuvvon Henrik Ørsted govvenapparáhtain/I brøkdelen av et sekund: 1970-tallets Sameland eksponert gjennom Henrik Ørsteds kamera. I Poasta-Máhtte ja boazosápmelaččat, nu movt Henrik Ørsted lea govven/Post-Mathis og reindriftssamene sett gjennom Henrik Ørsteds kamera. Utstillingskatalog. Finnmarks fylkesbibliotek, 2017. Sigrid Lien & Hilde Wallem Nielssen: «Leirbål og reinsdyrskrotter». Essay om utstillingen "Subsistence", Galleri Nord-Norge, Harstad, Festspillutstilling, festspillene i Nord-Norge, 2017. Klassekampen 12. juli 2017 Sigrid Lien & Hilde Wallem Nielssen «De beksvarte krigsårenes kunst». Essay om Hamburger Bahnhofs store ustilling om krigstidens kunst i Hitlers Tyskland, november 2015. Klassekampen 16. desember 2015. Sigrid Lien & Hilde Nielssen: Museet som sted for alternative historiefortellinger. I Karen Elle Gaup & Marit Gunhild Sara: Sámiid Vuorká-Dávvirat 40 Jagi/ De Samiske Samlinger 40 år 1972-2013. Karasjok: RiddoDuottarMuseat, 2014. Hilde Nielssen & Karina Hestad Skeie: Madagascar. Entry in Worldmark Encyclopedia of Religious Practices, 2nd edition, Missoula, Montana: Thomas Riggs & Co, 2012. Hilde Nielssen & Karina Hestad Skeie: Politikkens magi. Vekkelsesbevegelsen og nasjonal politikk på Madagaskar. I: Madagaskarforum, 1/2012. <span style="font-size: 12.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; color: black; mso-fareast-language: AR-SA; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;">Hilde Nielssen (red) samt introduksjonskapittel. Til Jordens ender. Fortellinger om norsk misjon. Bergen: Bergen Museums forlag 2008. <span style="font-size: 12.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; color: black; mso-fareast-language: AR-SA; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;">Hilde Nielssen & Karina Hestad Skeie: ‘Kom over og hjelp oss’. I: Hilde Nielssen (red.) Til Jordens ender. Fortellinger om norsk misjon. Bergen: Bergen Museums forlag 2008.  Hilde Nielssen: ‘Jeg tillader mig at sende en gasserbylt’. I: Hilde Nielssen (red.) Til Jordens ender. Fortellinger om norsk misjon. Bergen: Bergen Museums forlag 2008. Hilde Nielssen: Madagaskar i Bergen, i Bergen Museums Årbok 2005, Bergen: UiB 2006.   <h3 style="margin: 0in; font-family: Calibri; font-size: 11.0pt;">Reports</h3>   The development program of the region of Mopti (PDRM), Mali. Final evaluation. Hilde Nielssen & Saliki Coulibaly. DIGNI, January 2015. MIRD Integrated Rural Development Programme 2008-2012 (Madagascar), Mid-term Review, Hilde Nielssen, Julius Oladipo & Razanakoto Oméga, DIGNI, December 2012. Final Evaluation of MLC Empowerment Pilot Project. Julius Oladipo, Hilde Nielssen, Omega Razanakoto & Lotera Fabien. DIGNI, December 2012. Use Your Talents. Final report. MLC. Omega Razanakoto, Hilde Nielssen, Julius Oladipo & Lotera Fabien. DIGNI, December 2012. Report of a Review of the ProVert Programme 2006-2011 and an Appraisal of the Proposed Continuation, 2012-2015. Robert Smith, Hilde Nielssen & Lillian Prestegard, NORAD 2011. ProVert: An Integrated Green Education Programme for Madagascar. Mid-term Review, by David Stephens, Hilde Nielssen & Rominah Rajaonah. NORAD, November 2008.

Utdanning: Oppdater utdanning <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Dr.Polit (PhD) in Social Anthropology, University of Bergen 2004 <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Dissertation: <span lang="EN-US" style="line-height: 115%; font-family: 'Times New Roman',serif; font-size: 9pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi; mso-bidi-language: AR-SA;">Tromba possession among the Betsimisaraka of Eastern Madagascar. <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Hovedfag (master) in Social Anthropology University of Bergen 1995 <span lang="NO-NYN" style="color: black; line-height: 115%; font-family: 'Times New Roman',serif; font-size: 9pt; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: Calibri; mso-ansi-language: NO-NYN; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi; mso-bidi-language: AR-SA;">Cand mag. with Comparative Literature, French and Social Anthropology 1991

Undervisning: Oppdater undervisning   2014–    NLA University College   IKF 110/130 Introduction to Intercultural Studies IKF116NO Intercultural studies with focus on multicultural Norway (course leader) IKF117 Intercutural studies with focus on local knowledge systems, health, education, missionary activities, and humanitarian aid and development work (course leader) IKF118MA Intercultural studies with focus on Madagascar (course leader) IKF 120 Introduction to qualitative research methods (course leader) IKF131 Intercultural studies with focus on global and local relationships (course leader) IKF132 Introduction to qualitative researh methods and intercultural practice (course leader) IKF218 Intercultural competence (course leader) IKF220 Intercultural Theory and Practice (course leader) IKF221 Intercultural Bachelor Thesis (course leader) IKF301 Intercultural theories (course leader) IKF302 Methodology IKF303 Project - Design and Applied Intercultural theories IKF304 Socio-Cultural and Regional Specialisation IKF_THE Master's thesis (course leader)    2004–2006 Department of Social Anthropology, University of Bergen                       SANT 203 Religion, rituals and politics (course leader)                       SANT 250 Bacheloressay (course leader)                   SANT 302 Project design(course leader)                   Supervision master (Hovedfag) 2013           SANT 350 Post-fieldwork essay seminar (course leader).

Formidling: Oppdater formidling <span style="display: inline !important; float: none; background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Vitenskapelige og populærvitenskapelige foredrag bla. om fotografi knyttet til Sàpmi, kulturhistoriske ustillinger, misjonærer som etnografer, religion og politikk på Madagaskar

Prosjekter: Oppdater prosjekter <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Negotiating History. Photography in Sami Culture (NFR) <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;"><a style="background-color: transparent; color: #0066cc; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; min-height: 0px;" title="Negotiating History. Photography in Sami Culture" href="https://samiphotography.w.uib.no/">https://samiphotography.w.uib.no/</a> <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">  <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;">Photographs, Colonial Legacy and Museums in Contemporary European Culture (HERA) <p style="background-color: transparent; color: #000000; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; min-height: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;"><a style="background-color: transparent; color: #0066cc; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 11px; min-height: 0px;" title="Photographs, Colonial Legacy and Museums in Contemporary European Culture" href="http://photoclec.dmu.ac.uk/">http://photoclec.dmu.ac.uk/</a>